Archaeology in Reverse
Stephen Gill
Nobody Books and Archive of Modern Conflict
English
Text by Iain Sinclair
Hardcover
114 pages
216 x 216 mm
2007
ISBN 9780954940553
Continuing to photograph where his award-winning book Hackney Wick left off, Stephen Gill has made Archaeology in Reverse in his cherished area in East London. Still making pictures with the camera he bought at Hackney Wick market for 50p, this time he focuses on things that do not yet exist.
This magnificently produced book features traces and clues of things to come in a poetic, sometimes eerie and quiet photographic study of a place in a state of limbo prior to the rapid transformation that this area faces during the build-up to the Olympics in 2012.
Stephen Gill has learnt this: to haunt the places that haunt him. His photo-accumulations demonstrate a tender vision factored out of experience; alert, watchful, not overeager, wary of that mendacious conceit, closure. There is always flow, momentum, the sense of a man passing through a place that delights him. A sense of stepping down, immediate engagement, politic exchange. Then he remounts the bicycle and away. Loving retrievals, like a letter to a friend, never possession What I like about Stephen Gill is that he has learnt to give us only as much as we need, the bones of the bones of the bones
– Iain Sinclair
(Source: https://www.nobodybooks.com/product/archaeology-in-reverse)
About the Artist
Gill’s passion for photography was sparked by his father’s quiet influence and fuelled by an early fascination with insects, birdlife, and the tiny pond creatures he’d gather to examine under a microscope. Music, too, has long been a steady companion. Together, these early obsessions nurtured a sense of wonder, and image-making became not only a way of exploring such curiosities but a means of responding to his surroundings and to the subjects that intrigue or move him. Over time, it has become an essential form of articulation and expression.
As the years have passed, Gill’s relationship with photography has continued to evolve. While he values photography’s strengths, he remains increasingly aware of its limits, how straight descriptive photographs are often unable to convey more elusive emotions, feelings, or ideas that lie beyond the glass wall of clarity, projection, and control. He works outside those limits, developing a quiet trust in chance and what can be withheld. In reducing information, he often finds that something vital — a presence, a spirit — can remain, allowing the subject to breathe without interference.
Gill continues to explore the idea that even the most abstract or ambiguous images can carry a truth, sometimes more illuminating than a clear visual description, however factual it may appear. In a time when images flood every corner of life and certainty feels harder to hold, he chooses to relinquish much of the authorship and control, seeking instead to honour his subjects by handing much of the authorship back to them. He is often drawn to finding ways to collaborate with his subjects or to assist them to fully speak for themselves, without the images being suffocated by the medium or the maker.
https://www.stephengill.co.uk/
(Source: https://www.stephengill.co.uk/about/)
About the Publisher
Stephen Gill founded his publishing imprint Nobody in 2005 in order to exercise maximum control over the publication process of his books. His overriding intention is to make the book the finished expression of the photographs, rather than just a shell in which to house them. Experimentation with materials, collaboration with friends and a hands-on, tactile approach to maquette making would lead, in many cases, to his finished books having an individual, unique presence. This tactile approach includes materials and techniques such as lino cut printing, letter press printing, mono prints, spray paint, rubber stamps and on occasion entire art books are manufactured and assembled by hand in Stephen’s studio. He considers the bookmaking process to be a key though separate stage in the production of his photographic works, and he aims to make books that are conceptually consistent with their content.
https://www.nobodybooks.com/
(Source: https://www.nobodybooks.com/)
The Archive of Modern Conflict is an organisation dedicated to the collection and preservation of vernacular photographs, objects, artefacts, curiosities, and ephemera. Founded in 1991, the archive began as a collection of photographs relating to war and conflict but has since expanded its remit to become the vast and thematically diverse repository it is today. They have produced and published over thirty books, often collaborating with photographers and artists such as Stephen Gill, Cristina de Middel, Thomas Mailaender, Adam Broomberg and Oliver Chanarin, and Don McCullin.
https://archiveofmodernconflict.com/
(Source: https://archiveofmodernconflict.com/about-us/)
