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The Lives of Images, Vol. 2: Analogy, Attunement, and Attention Stanley Wolukau-WanambwaThe Lives of Images, Vol. 2: Analogy, Attunement, and Attention
Stanley Wolukau-Wanambwa
Aperture
English

Edited by Stanley Wolukau-Wanambwa

 

Softcover
327 pages
123 x 175 mm
2021
ISBN 978159711507052495

 

The Lives of Images, edited by Stanley Wolukau-Wanambwa, is a set of contemporary thematic readers designed for educators, students, practicing photographers, and others interested in the ways images function within a wider set of cultural practices. The series tracks the many movements and “lives” of images—their tendency to accumulate, circulate, and transform through different geographies, cultures, processes, institutions, states, uses, and times. Volume 2 in this series, Analogy, Attunement, and Attention, addresses the complex relationships that the reproducible image creates with its viewers, their bodies, their minds, and their sense of the physical and metaphysical world. The selection addresses the image’s role in the social constitution of individual and collective identity, in social practices of resistance to the structural violences of racism, or in relation to state exercises of power. Of particular importance in this volume are questions of our changing relationship to space and to selfhood as mediated by the image and by the many networked technologies and norms built around it. Essays in the volume ask: what modes of attention are required of us as viewers and agents of image circulation? The question of how image technologies provide us with an array of freedoms is here combined with and read against the many ways images are deployed to reorient, repress, or reduce our field of vision—thus affecting our capacity to see and to act in social space.

Contributions by Victor Burgin, Judith Butler, Tina Campt, Sarah Jane Cervenak, Harun Farocki, Tom Holert, Thomas Keenan, Rabih Mroué, Vivian Sobchack, and Tiziana Terranova.
(Source: https://aperture.org/books/the-lives-of-images-vol-ii-analogy-attunement-and-attention/)

About the Artist
Stanley Wolukau-Wanambwa is a photographer, writer, and editor of The Great Leap Sideways. He has a BA in Philosophy & French from Oxford University, UK and an MFA in Photography from Virginia Commonwealth University. He has contributed essays to catalogues and monographs by Vanessa Winship, George Georgiou, and Paul Graham. His photographic work addresses questions of patriarchy, race, history, and identity.
(Source: https://www.lightwork.org/archive/stanley-wolukau-wanambwa/)

About the Publisher
Aperture is a nonprofit publisher that leads conversations around photography worldwide. From our base in New York, Aperture connects global audiences and supports artists through our acclaimed quarterly magazine, books, exhibitions, digital platforms, public programs, limited-edition prints, and awards. Established in 1952 to advance “creative thinking, significantly expressed in words and photographs,” Aperture champions photography’s vital role in nurturing curiosity and encouraging a more just, tolerant society.
https://aperture.org/
(Source: https://aperture.org/about)